IJELE Logo

CRITICAL VISUAL COMMENTARY

Kasumba Stephen

The Exhibition

Sex Slave
Kasumba Stephen


In Critical Visual Commentary, Kasumba Stephen proposes a merge of visual and verbal languages, two modes of communication that have functional values in common. He wants to develop a functional visual literature that when one is exposed to appropriate images with the right mental attitude the images would act as prompters of the mind. According to him, images are able to "speak" in readily perceivable wave lengths, with no prior training required. Stephen believes that the role of today's artist is to help in remembering crucial social phenomena on behalf of ancestors, given that cultural traits are genetically transferable (esthetical genetics). The re-awakening of one's innermost impulses would allow silent initiation and/or remote apprenticeship to take place, and forge a stronger bond between the present and the past. To achieve maximum expressive intent, Stephen seeks to balance the emotional qualities of color and the dramatic properties of form. The forms of his compositions are simplifications, deliberately distorted, and with slight exaggerations of the intangible. His bold brush strokes accentuates the intensity of viewers' aesthetic experience.

 

EXHIBITION FORMAT INSTRUCTION

The exhibition environment is divided into two spaces, with thumbnails of the exhibits at the left side of the screen. The images and text play in the center of the screen as you click on any of the thumbnail images at the side. The exhibition text accompanies the images. To return to this page, just click the last thumbnail and click the "back" arrow/botton that appears on the display screen.

© Copyright 2001 Africa Resource Center.  All rights reserved.
Citation Format:
Stephen, Kasumba (2001). CRITICAL VISUAL COMMENTARY. Ijele: Art eJournal of the African World; 2, 1. [http://www.ijele.com/vol2.1/index2.1.htm].

Daughters Like Myself The Other Woman1