UGANDA'S MODERN ART MOVEMENT / jk1_flute_player
Ijele: Art eJournal of the African World
Vol. 1, 2 (2000)
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For example, The Flute Player, often taken to represent a Maasai, sparks confusion by those who recognize that he looks and dresses very differently: "Maasai don’t wear those earrings, or those beads, or have those features; Maasai are not known to play flutes, either."

Other comments have focused on the fact that the people populating his paintings, "do not correctly represent any of the ethnic groups I know, but I’ve seen many parts of your work in different places." Some viewers feel that: "Your work is beautiful, but you are doing our culture a disservice by not showing how it really is."

This common reaction to Kitamirike's work provokes the following response from him: "To the outside world, we are more similar than different, but we have tended to focus on what makes us different. In my work, you see how we are the same."

 

Citation Format:
Calder, Alexander (2000). UGANDA'S MODERN ART MOVEMENT.
Ijele: Art eJournal of the African World; 1, 2. [http://www.ijele.com/vol1.2/index1.2.htm].

© Copyright 2000 Africa Resource Center, Inc. All rights reserved.

jk1_flute_player

The Flute Player