UGANDA'S MODERN ART MOVEMENT / a_panel
Ijele: Art eJournal of the African World
Vol. 1, 2 (2000)
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Modern Influences

East Africa’s modern movement began in 1937 with the founding of the School of Fine Art at Makerere University, located in Kampala, Uganda’s capital city. This acclaimed school has provided resources, guidance, and inspiration for generations of local fine artists. Instructors at Makerere encouraged individual creativity while also infusing talented students with an appreciation for the work of both classic and modern European masters such as Michelangelo, Rembrandt, Van Gogh, Monet, Picasso, and Dali, among others. During the mid-1960s Ugandan artists Mugalula Mukiibi, Teresa Musoke, Elly Kyeyune, Norbert Kagwa, David Waswa Katongole, Misango, Mwebwe, Fabiano Mpagi, Mutyaba, Lukenge, and Henry Lumu demonstrated exceptional brilliance and originality. Works by these artists exhibited regularly during this time through Nommo Gallery in Kampala.

Ugandan Modernism

The combined ingredients of dedicated instructors, enthusiastic students, and creative freedoms resulted in a blossoming of artistic innovation and excellence. Kampala’s flourishing art community and resulting public exhibitions attracted collectors from Europe and abroad, leading some of the more successful artists to open their own galleries and studios to the public. During this time, a distinctive "Ugandan school" emerged which was characterized by African scenery and figurative themes captured in an imaginative combination of both traditional and modern influences. Original forms of Synthesism and Fragmentation developed among members of this school along with numerous highly individualized idioms reflecting unique cultural signatures and visual languages of this diverse region. The resulting body of technically advanced works exhibited striking originality and historical and cultural significance.

The Movement Expands

While many in Uganda’s growing art community chose to remain in the country, increasing political unrest during the 1970s forced others to migrate to other parts of the world. Nairobi, the capital of neighboring Kenya, became a focal point where much of this transplanted talent began to collaborate, exhibiting works through local galleries and participating in group exhibitions at the Kenyan national archives and museums. During this time, celebrated Ugandan national artist the late Henry Lumu and his younger brother David Kibuuka met James Kitamirike. Working among fellow Ugandan artists such as Dan Sekanwagi, Nuwa Wamala-Nnyanzi, Joseph Mungaya, Jack Katarikawe, Emanuel Lubega, and others, they brought their unique style to Kenya’s thriving art scene, exerting a broad influence upon other local artists. In helping to define East Africa's emerging modern art movement, artists of the Ugandan School gained international recognition. Since then, the distinctive style of these artists continue to evolve, gaining further influence and respect as they impact other artists throughout the world.

 

Citation Format:
Calder, Alexander (2000). UGANDA'S MODERN ART MOVEMENT.
Ijele: Art eJournal of the African World; 1, 2. [http://www.ijele.com/vol1.2/index1.2.htm].

© Copyright 2000 Africa Resource Center, Inc. All rights reserved.

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