JUAN SÁNCHEZ / 1A_Panel
Ijele: Art eJournal of the African World
Vol. 1, 2 (2000)
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In the words of Juan Sánchez:

I am a Puerto Rican connected to many tribes, including Taínos, Spanish Moors and Jews, Africans, Asians, and Central and South Americans. I am a descendent of Borinquen, an island named by the Taíno Indians meaning "land of courage." I am an urban "Neo-Rican" from the Caribbean diaspora in constant revolution, reinventing and recontextualizing the Puerto Rican equation, but Operation Bootstrap has dictated the paradoxical status of also making me North American-born. I have experienced and witnessed, through the eyes of my mother, brothers, and other Puerto Ricans, the "privileges" of a second- class citizenship. Destined to become part of an exploitive, cheap labor force and subjected to a disenfranchised existence, humiliation has become a norm, rather than an exception in our lives.

The annually televised Puerto Rican Day Parade camouflages a bleak reality. Despite some social and political accomplishments of far-reaching impact, Puerto Ricans remain an invisible, undereducated, and underemployed population living under the devastation of racism, mistreatment, poverty, drugs, domestic and gang violence, the AIDS epidemic, incarceration, and police brutality, as well as the loss of culture and identity, and a misguided indoctrination. Puerto Rican warriors of the past and the present are men and women who have endured an "Amerikkkan" nightmare instead of the promised dream and have fought for the sovereignty and the civil and human rights of their people.

-- Juan Sánchez

 

Citation Format:
Nzegwu, Nkiru (2000). INDEPENDENTISTA, BABALAWO OR BOTH: THE ART OF JUAN SÁNCHEZ. Ijele: Art eJournal of the African World; 1, 2. [http://www.ijele.com/vol1.2/index1.2.htm].

© Copyright 2000 Africa Resource Center, Inc. All rights reserved.

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