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| EDITORIAL |
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What
Ever Happened? On Modernity and All That
Nkiru Nzegwu, Binghamton
University, USA
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Letters to the Editor |
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| ARTICLES |
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How a Fiction Became the Truth: Five Thesis
on Cogito, Imagination, and Modernity
Nicholas Veroli, Seattle University, USA |
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"Against History? A Nimo-Born Architecture of Umu Nri (Enugu
Ukwu)
Ikem Stanley
Okoye, University of Delaware, USA
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Transgressions: Redressing Tradition
Rekha Menon, State University of New York,
Buffalo State, USA. |
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Rereading of Juan Boza's Critique of Wilfredo
Lam: The Emergence of Afro-Cuban Arts in Post-Revolutionary Cuba
Patrick Kane, Binghamton University, USA
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Dress Codes and Prestige Staffs: Constructing
Political Authority with Staffs in Tanzania
Fadhili Mshana, Binghamton University,
USA |
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The
Importance of Oríkì in Yorùbá Mural
Art
Stephen Folárànmí,
Obafemi Awolow University, Ile Ife, Nigeria |
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CONFERENCE
REPORT
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Reports on The Pan-African Conference on
the Status, Role and Working Condition of the Artist in Africa |
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EXHIBITION
& BOOK REVIEWS
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A Transatlantic Dialogue?
Mazi
Allen, Binghamton University, USA |
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EXHIBITIONS
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Sam
Gilliam: Of Fire Flies and Ferris Wheel
Artist:
Sam Gilliam, Washington DC, USA
Curator:
Nkiru
Nzegwu |
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James Watkins: The Grandmaster of Clay
Artist:
James
Watkins, Lubbock, Texas USA,
Curator:
Nkiru
Nzegwu |
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Abakua:
Nsibidi Motifs in Cuba
Curator:
Nkiru
Nzegwu |
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Contemporary
Textures:
Multidimensionality
in Nigerian Art
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Issues
in
Contemporary
African Art
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Please
email questions or suggestions to:
ijeditors@africaresource.com.
Ijele:
Art eJournal is published
by Africa
Resource Center,
three times a year
-- January, May and September.
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